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The Merchant of Venice (Norton Critical Editions), by William Shakespeare
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The Merchant of Venice is one of Shakespeare’s most beautiful plays and, conversely, his ugliest. Juxtaposed within the same conceptual frame are heavenly and musical harmonies, romantic love, materialism, and racism.
This Norton Critical Edition has been carefully edited to make The Merchant of Venice, its surrounding history, and the history of its critical reception and rewritings accessible to readers. The text of this edition is based on the 1600 First Quarto, with light editing and substantial explanatory annotations by Leah S. Marcus."Sources and Contexts" largely focuses on the character of Shylock and the issue of anti-Semitism in the play. Materials included are diverse, and at times contradictory, allowing readers to draw their own conclusions. Examples include seventeenth-century anti-Semitic literature, an essay from the same period defending Jews and arguing for their repatriation in England, an examination of the Christian theology of the play, and readings of The Merchant of Venice as exclusionary for Jews, women, and people of color.
"Criticism" collects twenty-one diverse interpretations. In addition to Shylock and the question of anti-Semitism, these essays address The Merchant of Venice in the context of postcolonial, feminist, and queer theory and explore relevant issues of economic status and organization.
"Rewritings and Appropriations" includes excerpts from dramatic, musical, and other literary adaptations of The Merchant of Venice, as well as a selection of poems, most of them from the twentieth century, on the character of Shylock.
A Selected Bibliography is also included.
- Sales Rank: #153023 in Books
- Published on: 2005-12-19
- Original language: English
- Number of items: 1
- Dimensions: 8.40" h x .80" w x 5.20" l, .84 pounds
- Binding: Paperback
- 368 pages
About the Author
Leah S. Marcus is Edwin Mims Professor of English at Vanderbilt University.�She is the author of Childhood and Cultural Despair, The Politics of Mirth, Puzzling Shakespeare, and Unediting the Renaissance. She has edited two volumes of the writings of Queen Elizabeth I (with Janel Mueller and Mary Beth Rose), a Norton Critical Edition of The Merchant of Venice, and an Arden Early Modern Drama text of John Webster’s The Duchess of Malfi.
Most helpful customer reviews
0 of 0 people found the following review helpful.
The text of the play only, no notes, no introductory material of value, and a misleading guide to the audiobook version
By Robert C Ross
This version of the tragedy has almost nothing to recommend it other than that it contains a link to a free audiobook version.
The text is fairly clear, but there is only a very short introduction and no footnotes. There are a few grainy black and white photos and drawings, with attribution of artist or source.
The "free" audiobook might be quite good but there were links to 20 different versions, none of which matched the cover of this book, and all of which were "free" only with a trial 30 day subscription.
For an annotated version with good clarity and larger text, with a helpful introduction, try The Merchant of Venice (The Annotated Shakespeare) with Professor Burton Raffel (Editor) and Harold Bloom (Contributor) adding very useful information to the text of the play.
Robert C. Ross
July 2016
0 of 0 people found the following review helpful.
Helpful and easy to use!
By Kathy Samodel
Very easy to use! Helpful for stage performance by including the easy to understand format side by side with the original text.
0 of 0 people found the following review helpful.
Four Stars
By Sierra
A good story, though I preferred some of the other Shakespeare plays.
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