Sabtu, 25 September 2010

[C957.Ebook] Download Ebook My Life As a Dog, by Lasse Hallstrom, Reidar Jonsson, Pelle Berglund, Brasse Brannstrom

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My Life As a Dog, by Lasse Hallstrom, Reidar Jonsson, Pelle Berglund, Brasse Brannstrom

This is the screenplay of the teenager's novel, "My Life as a Dog", made into a film by the director, Lasse Hallstrom. The tale, set in 1950s Sweden, is about a mischievous boy who tries to come to terms with life in spite of his mother's terminal illness and his separation from his pet dog Sickan. "My Life as a Dog" won the Best Film award in Sweden, the Golden Globe award and the New York Film Critics award for Best Foreign Language Film, as well as being nominated for Oscars for Best Screenplay and Best Director.

  • Sales Rank: #9528046 in Books
  • Brand: Brand: Faber n Faber
  • Published on: 1989-09
  • Original language: Swedish
  • Number of items: 1
  • Dimensions: 1.00" h x 1.00" w x 1.00" l,
  • Binding: Paperback
  • 80 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
"I have an incredible knack of doing the wrong thing all the time although I am always trying hard to do the right thing," confesses the 13-year-old hero of this exceptional Swedish novel, the basis of a recent film (and of inevitable comparisons with Catcher in the Rye ). It is 1959, and Ingemaar's mother has died after a protracted illness. His seaman father absent, the boy's siblings are yet again dispatched to separate destinations, and Ingemaar himself is packed off to an uncle for a second and perhaps indefinite stay. Armed only with his awe-inspiring imagination and desperately good intentions, Ingemaar tries all at once to conquer his grief, satisfy his curiosity about sex (and other aspects of adulthood) and reorder his fractured existence. But his efforts beget new forms of chaos--objects are lost or destroyed, skylights are crashed through, fires started, sexual experiments ruinously interrupted. Jonsson's candor matches his tender poetics as he maps the uncertain land where the comic and tragic meet.
Copyright 1990 Reed Business Information, Inc.

From School Library Journal
Grade 7 Up--Time magazine called the Swedish movie of the same title "the most popular foreign-language film in the U. S." Now, three years later, we have an English-language translation of the novel that inspired the movie, and while it is unlikely to replicate the film's popularity, it is every bit as engagingly quirky and idiosyncratic. The story it tells of 13-year-old Ingemar Johansson's coming of age in the late 1950s is much the same, too--seemingly unloved by his dying mother, the boy is sent off to live with his hapless uncle in remote Smaland, where he encounters the same engagingly eccentric cast of characters who peopled the film. There the similarities end, however, for the tone of the book is much darker than that of the film, and the emotional (and sexual) development of Ingemar--who tells his story in his own unsparing first-person voice--is much more richly realized. That Ingemar survives both his own emotional starvation and personal rejection is evidence of the sheer doggedness of the human spirit. Not a children's book at all, My Life as a Dog 's crossover potential as a YA novel is unfortunately compromised by a clumsy translation. Despite this, the book remains intrinsically a meritorious, powerful novel that should be considered for purchase for the sake of the special readership it will attract. --Michael Cart, Beverly Hills Pub . Lib .
Copyright 1991 Reed Business Information, Inc.

Most helpful customer reviews

52 of 53 people found the following review helpful.
My favorite movie of all time.
By alyosha
Few movies come this close to perfection. This is an intelligent and moving story of a boy who must come to terms with abandonment, loss and the casual betrayal of adults. Extremely well acted on all sides, with a bold script that dares to ask the important questions. Ingemar must try to find some balance in his life, as he is tossed from one "home" to another, like a stray dog... or, like the Soviet space-dog Laika, who was sent into space only to starve to death in orbit. "They never intended to bring her back." The final scenes of "My Life as a Dog" do win out, when the odd town's crazy old man takes a swim in the frozen river. The whole cast of peculiar town-folk come out to "rescue" him, and offer him a place by the fire, a blanket, a little whiskey... Here, Ingemar finds balance in the love of other people, so one is left, not with a sense of despair, but with a sense of hope in the midst of sorrow and loss.
Note: I recommend the subtitled version over the dubbed version, as the language and inflections should be experienced in full.

39 of 41 people found the following review helpful.
ONE OF THE ALL TIME GREATS IN CINEMA
By Peter M
A massive world wide hit when it was first released.Simply the greatest film about childhood ever made.An absolute flawless film in every way. The final scene combined with the memorable music will stick in your mind forever. A masterpiece of film making - truly unforgetable and exceptionally moving.I have seen it numerous times over the years.One of the ten best films I have ever seen.

24 of 26 people found the following review helpful.
One of the great movies about children
By T. J. Friedman
I absolutely agree with Mr. Frazer. I first viewed the film over 20 years ago and to my tastes, it is one of the best films about children of which I am aware. I would place it on par with "Fanny and Alexander" and "Hope and Glory" (Boorman). The film does have a mild sexual content, but we allowed our son to see it even when he was young. (In the US some might not agree with this choice.) We've watched it again and again through the years. Similar to our experience with other exceptionally fine movies (and wines), it seems to improve with age. I would recommend it without any reservations whatsoever.

See all 106 customer reviews...

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[B726.Ebook] Download PDF A Canopic Jar (Classic Reprint), by Leonora Speyer

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A Canopic Jar (Classic Reprint), by Leonora Speyer

For permission to reprint certain of these poems, the authors thanks are due to the courtesy of the Editors of Scribner s Maga zine, The Century Magazine, Contemporary Verse, Touchstone, Chicago Poetry, The Nation, The Dial, The Lyric, The Pagan, The Bookman, The Bellman, Mc CalFs Maga zine, The Stratford Journal, Poet Lore, Smart Set, The Freeman, The New York Times, Reedy s Mirror and The Sonnet.
(Typographical errors above are due to OCR software and don't occur in the book.)

About the Publisher

Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.

Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at www.forgottenbooks.org

  • Published on: 2012-08-20
  • Original language: English
  • Dimensions: 9.00" h x .27" w x 6.00" l,
  • Binding: Paperback
  • 116 pages

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0 of 0 people found the following review helpful.
Five Stars
By Annna T. Scanlon
Beautiful Poetry!

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Senin, 20 September 2010

[S845.Ebook] Free Ebook Timothy O'Sullivan: America's Forgotten Photographer, by James David Horan

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Timothy O'Sullivan:  America's Forgotten Photographer, by James David Horan

Brings together a biographical profile and more than four hundred of O'Sullivan's photographs.

  • Sales Rank: #472452 in Books
  • Published on: 1982-08
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 334 pages

Most helpful customer reviews

12 of 12 people found the following review helpful.
Five stars for quality material: however, negative one and a half stars for its misinformation = overall 3 � stars
By Dan Sherman
First, a note: I have published a review on Amazon and elsewhere of "Framing the West: The Western Survey Photographs of Timothy H. O'Sullivan", Toby Jurovics, et al, Yale University Press, 2010. In that review I state that "Framing the West" is as excellent complimentary companion to earlier publications like James Horan's (1966) "Timothy O'Sullivan: America's Forgotten Photographer ", ...

The above statement holds true, but with certain qualifications. "Timothy O'Sullivan, America's Forgotten Photographer" appears to have been meticulously researched, with Horan including numerous facsimile copies of original documents involving O'Sullivan; an impressive feature seldom found it a biographical survey of this nature. However: although the book is loaded with very good in-depth information, it also contains a number of glaring errors. I do recommend it, provided caution is exercised when using it; use it in conjunction with one or more of the other books on O'Sullivan --- Framing the West (above), Joel Snyder (1981) "American Frontiers - the Photographs of Timothy H. O'Sullivan, 1867 - 1874", Keith F. Davis and Jane L. Aspinwall (2011) Timothy H. O'Sullivan: The King Survey Photographs (Nelson-Atkins Museum of Art). Despite being sprinkled with misinformation, "Forgotten Photographer" has very good material that is not found elsewhere.

SOME OF THE PROBLEMS

The first incorrect item in the book is the caption under the front piece photo. This misinformation, however, is not the fault of Horan. This book was first published in 1966, with a reprint in 1982. Horan researched this book from the mid 1950's through the mid 1960's; during that time period this photo was believed to be a self-portrait of O'Sullivan while working on the Darien Survey in 1870; it has since been determined to be John Moran with the Darien Expedition in 1871 (Russell Norton, Stereo World Vol. 3, No. 2). Determining attribution of photographs taken on the Darien Surveys can be problematic. Naval Commander T. O. Selfridge led survey parties to the Isthmus of Darien (Panama) in 1870, 1871 and 1873. Timothy O'Sullivan was the photographer in 1870, John Moran was with the 1871 expedition as their photographer, and there was no photographer in 1873. It appears the Navy lumped all the negatives together without listing the photographer or the year they were taken -- this, however, is part of another story. The photograph mentioned above has an "official" caption of "Photographer at Pinogana", it has been determined that O'Sullivan was not at Pinogana; the attribution of some of the Darien Expedition photos can be sorted out in this manner. I do not know specifically when the first known photograph of Timothy O'Sullivan entered the public realm, but I believe it may have been in the 1970's. It was at that time that E. Marshall Pywell donated some Pywell Family documents to the National Archives, this included a photograph of Timothy O'Sullivan. Also the Library of Congress, prints and photographs division has photographs of Timothy O'Sullivan and his wife Laura Pywell that they acquired from E. Marshall Pywell in 2010; E. Marshall Pywell is the great-grand nephew of Laura Pywell.

On pages one and two Horan has some serious misinformation relating to the photo shown (pg.2) and the accompanying text (pg.1 & 2). He captions it "O'Sullivan's view of Brady in the wheat field, scene of General McPherson's death at Gettysburg." The negative for this photo is at the National Archives (NWDNS-111-B-111) and is titled "Woods in Which General John F. Reynolds Was Killed. Gettysburg, Pennsylvania, 1863." The picture is of McPherson's Woods where General Reynolds died. I believe that most Civil War scholars and experts on Civil War photography would agree that Brady is one of the people shown in this photo, but I do not believe any of them would attribute it to O'Sullivan; O'Sullivan was no longer with Brady at the time of Gettysburg, he was with Alexander Gardner. Horan himself acknowledges that O'Sullivan was not with Brady at this time; on page xii, he states "O'Sullivan served his apprenticeship with Brady but left the old photographer to join Alexander Gardner, that intellectual Scot, when Gardner and Brady parted shortly after the start of the Civil War." Civil War photo historian Bob Zeller places the Brady / Gardner split somewhere between November 1862 and May 1863 (The Blue and Gray in Black and White, page 101); Gettysburg occurred from 1 - 3 July, 1863, after O'Sullivan had left Brady. In the text accompanying this photo, Horan describes a possible scenario involving O'Sullivan and Brady at this scene. He also attempts to personify O'Sullivan here and elsewhere throughout the book. He tries to paint a picture for us of what O'Sullivan was like at the personal level, what his character and traits were. He even entitles chapter one "A Shy Man"; he writes on page 2 "... Timothy H. O'Sullivan was a shy man, perhaps even a lonely man who never sought praise or credit." This contradicts accounts from his contemporaries; although O'Sullivan never kept a diary or journal, many of his contemporaries did. Despite all of the in depth research done by Horan, he apparently did not consult the journals kept by other members of Clarence King's fortieth parallel survey or those of the Wheeler expedition; he makes no mention of them in the text or in his notes, except in his acknowledgments on page xiii, that he did see G. K. Gilbert's field notes of the accent of the Colorado River by the Wheeler expedition in 1871. He may not have known where these journals were, or for that matter he may not have even been aware of their existence, he conducted his research in the 1950s and 60s; it was a far different time and environment in which to conduct research of this nature. Also, he was the first one to tackle the subject of who O'Sullivan was; he did not have the work of others to build on. Two things in the historical record tell me O'Sullivan was not a shy man. (1) - It is well documented throughout the King and Wheeler reports that when the party split into various groups O'Sullivan was placed in charge of some of these side parties. Both King and Wheeler repeatedly placed him in positions of authority and leadership; a shy man is not an ideal leader. Perhaps, soft spoken and somewhat reserved, but not shy; a leader must have the ability to be assertive when the circumstances require it. (2) - The journals and records of O'Sullivan's contemporaries draw a different portrait of O'Sullivan. Chapter one is labeled "A Shy Man" then on page 34 he writes "O'Sullivan was never a boastful man."

William W. Bailey, the botanist on King's 40th parallel survey, writes in his diary on May 11, 1867 after leaving New York aboard a steamer for Aspinwall, Panama in transit to California, "Messrs King and Custer occupied one of these rooms and O'Sullivan, Ridgeway and myself the other, and most jolly times we had in them." Bailey and O'Sullivan developed a close friendship, as Bailey writes of O'Sullivan later in his journal (page 40) "He and I became great friends always tenting together and chumming generally." Bailey likely knew O'Sullivan better than most of the other members of the 40th Parallel Expedition. Therefore, we can consider Bailey a bit of an authority on O'Sullivan when he refers to him in a letter to his brother Loring Bailey on August 14, 1867 that "His [O'Sullivan] chief fault is his reminiscences of the Potomac Army ... One would think he had slept with Grant and Meade and was the direct confident of Stanton" (Loring Woart Bailey papers, Huntington Library, San Marino, California). This does not sound like a shy and never boastful man that never sought praise or credit. He may not have been soft spoken either; Grove Karl Gilbert, geologist with the Wheeler Survey, writes in his journal on 21 September 1871 that it was a very windy day and states " ... it interfered with photography and kept O'Sullivan in a perpetual state of profanity." I have to at least somewhat fault Horan for attempting to personify O'Sullivan when he had such an extremely limited amount of data to work with. Also, on page 42 Horan creates a scenario involving O'Sullivan with the engineers building pontoon bridges during the Civil War - they come under attack - he writes: "Men screamed and fell. O'Sullivan calmly went on taking his pictures." Where did he get that information?

Chapter 4 is about O'Sullivan and the King Survey from 1867 through 1869. Despite the fact that researching O'Sullivan in the `50s and `60s was far different than today, I do not know how Horan missed the fact that O'Sullivan returned to Clarence King's 40th Parallel Expedition in 1872; on page 254, in reference to the year 1872, Horan writes "where O'Sullivan went that year or what he did we don't know, but he did return to Wheeler's Expedition in 1873 and again in 1875." We do know where O'Sullivan was in 1872; he was back with the King Survey. Also, how did Horan arrive at "Wheeler's Expedition in 1873 and again in 1875?" On page 257 he states "in 1874 O'Sullivan again was missing but he returned to the West in 1875 for the last time", informing us O'Sullivan was with Wheeler's Expedition in 1871, 1873 and 1875. O'Sullivan was with Wheeler in 1871, 1873 and 1874, not 1875; even the stereographic photos he took in 1874 are prominently labeled "Expedition of 1874".

Also, on page 254, in reference to the year 1872 and the Wheeler Survey, Horan states, "the following year O'Sullivan's place was taken by Dr. Bell, an adventurous English physician who was an expert photographer." The William Bell that replaced O'Sullivan in 1872 was "an expert photographer", but was not the English physician Dr. William Bell. There has been a lot of confusion over these two people, contemporaries, both with the name William Bell. One was a Medical Doctor that went to work as a photographer for Union Pacific Railroad, eastern division (later Kansas Pacific Railway) in 1867. The other a photographer that worked after the Civil War for the Army Medical Museum as its chief photographer and spent much of 1865 making photographs of soldiers with various diseases, wounds, and amputations, many of which were published in the book, "Medical and Surgical History of the War of the Rebellion." We have two contemporaries with the same name, one a medical doctor that became a photographer (briefly) and the other a photographer that took medical pictures, this is the William Bell that replaced O'Sullivan on Wheeler's 1872 survey. Over the years various researchers have sorted out the who, where, when, etc of these two people. Today the identity of each "William Bell" is quite well established. Despite the fact that "who's who" is generally well known, people today still misidentify these two individuals.

Another misidentified item, that may only be partially Horan's fault, is on page 39; he has captioned the photograph at the top of the page "A lightweight photographer's wagon carrying a box labeled "Brady's." The man on the left is believed to be O'Sullivan ..." This photograph is identified in the Library of Congress collection (LC-B8184-B-5077) as "Brady's photo outfit in front of Petersburg, Va", (date created 1864?) The Petersburg area was under assault from General Grant from June 1864 through March 1865, therefore, the exact date this photo may have been taken is uncertain. Although no known photos of O'Sullivan were in the public realm at the time Horan wrote this, with which to compare this one, one thing was known and was certain; O'Sullivan was not with Brady during the "Siege of Petersburg." The two people seated in front of the wagon are identified by Susan E. Williams as Egbert G. Fowx and Thomas C. Roche, two of Brady's photographers ("Richmond Again Taken" The Virginia Magazine of History and Biography, 2002 - Vol. 110, No 4, p 443). I have not contacted Susan to determine her source for identifying these two individuals, but I am aware that she has conducted extensive research in collaboration with the Smithsonian Institution and the Virginia Historical Society involving the question of mis-attribution of Civil War photography.

There are other errors and shortcomings in this book, but this is just a general review, not a complete comprehensive appraisal of his work. The book has a lot of good information, but Horan is at times a bit inconsistent. He keeps putting O'Sullivan back with Brady after Gardner and O'Sullivan split from Brady. He also contradicts himself (albeit a rather minor incident) after mentioning O'Sullivan's work in Alexander Gardner's "Sketch Book of the Civil War", he states on page xi, "over half the negatives were made by O'Sullivan", on page 172 he reports this number to be 42 of 100, then on page 319 he writes that it is 45 of 100; my count is 44 of 100.

Again, provided caution is exercised when using it, I do recommend it. His inclusion of facsimile copies of historical documents is a valued feature. I find most of the problems in this book are located in his treatment of O'Sullivan during the Civil War and his attempt to personify O'Sullivan; he apparently did not have the journals / diaries of O'Sullivan's contemporaries to consult regarding O'Sullivan's personal life and his personality, to me it seems he did not have any real facts to work with - he was just guessing. Although I fault some aspects of his work, he is to be commended in others.

0 of 0 people found the following review helpful.
Excellent highly recommend!
By .
Exceptional book. Fantastic photos. Truly a great photographer of historic America.

0 of 0 people found the following review helpful.
good book about our Western photographer
By dolie thompson
fast shipping, love the book

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Rabu, 15 September 2010

[L821.Ebook] PDF Ebook Studies in Plato's Metaphysics (RLE: Plato) (Routledge Library Editions: Plato)From Routledge

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Studies in Plato's Metaphysics (RLE: Plato) (Routledge Library Editions: Plato)From Routledge

Did Plato abandon, or sharply modify, the Theory of Forms in later life? In the Phaedo, Symposium, and Republic it is generally agreed that Plato held that universals exist. But in Parmenides, he subjected that theory to criticism. If the criticism were valid, and Plato knew so, then the Parmenides marks a turning point in his thought. If, however, Plato became aware that there are radical differences in the logical behaviour of concepts, and the later dialogues are a record of his attempt to analyse those differences, then Plato’s thought can be said to have moved in a new and vitally important direction after the Parmenides. Studies in Plato’s Metaphysics brings together twenty essays by leading philosophers from the UK and the USA reflecting upon this important issue and upon the questions arising from it.

  • Sales Rank: #3271540 in eBooks
  • Published on: 2012-11-12
  • Released on: 2012-11-12
  • Format: Kindle eBook

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Rabu, 01 September 2010

[R776.Ebook] PDF Download The Tomb in Ancient Egypt, by Aidan Dodson, Salima Ikram

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The Tomb in Ancient Egypt, by Aidan Dodson, Salima Ikram

A richly illustrated and complete account of the development and significance of the tomb in ancient Egypt.

From the pyramids and royal burial ground in the Valley of the Kings to the tombs of queens such as Ramesses II's consort Nefertari and the far larger number of private tombs of nobles like Rekhmire and Ramose, The Tomb in Ancient Egypt is an unparalleled guide for Egyptophiles everywhere.

Besides the paintings, reliefs, and statues adorning their walls, many tombs show the breathtaking skill of ancient architects, and autobiographical texts found inside several tombs give rare insights into Egyptian life. We read of Harkhuf's African explorations, returning with the gift of a dancing dwarf to his boy-king, Pepy II, and we learn how General Amenemhab saved his king's life when the king was charged by an enraged elephant.

Written by two experts in the field and the authors of The Mummy in Ancient Egypt, this new book traces burial practices in Egypt over three millennia, from the dawn of Egyptian history to the Roman domination. It also illuminates the work of key scholars who excavated and catalogued their finds for posterity, and it includes a comprehensive list of the principal cemeteries, with glossary and maps for ease of reference. 350 illustrations, 40 in color.

  • Sales Rank: #1306669 in Books
  • Published on: 2008-05-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.37" h x 8.35" w x 10.43" l, 3.70 pounds
  • Binding: Hardcover
  • 368 pages

About the Author
Aidan Dodson is Research Fellow in Archaeology at the University of Bristol. Salima Ikram is Professor of Egyptology at the American University in Cairo.

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13 of 13 people found the following review helpful.
The Definative Text on the Egyptian Tomb
By John O. Freed
This authoritative text is written by two well known scholars who have the ability to describe the development of Ancient Egyptian tombs through history in full detail without being dull. The text contains a wealth of facts about all aspects of Egyptian tomb building, from construction methods and architectural styles to the decoration of the tomb's walls. The text also contains overviews of the various funerary texts found in the tombs ("The Book of Gates", etc.).

The illustrations are well chosen and beautifully reproduced. There are hundreds of photographs, with many in color, as well as floor plans and maps. Many of the photos have been rarely, if ever, published in previous books.

I would recommend this book without reservation.

10 of 13 people found the following review helpful.
A glorious book
By Jeri
Looking at it, you might be excused for thinking it was just a coffee table book. But this a book that deserves to be read and cherished, not just sit on a coffee table.

Lavish with pictures, maps, illustrations of all kinds, the book covers Egyptian funeral practices since the predynastic times right through the late Graeco-Roman era. It covers not only all the beliefs about the afterlife, and the society that existed at the time, but also the construction and development of the tombs.

"The construction of the kings's tomb would start at his accession. According to Herodotuis, it took 20 years to build the Great Pyramid at Giza" (p 32). It is interesting to learn that "Illumination...would be reflected into the tomb by mirrors of polished metal" (p 51).

Thousands of years after its start, Egypt would fall, conquered at last by Alexander the Great and then Rome. "Graeco-Roman Period tombs mark the end of the line of monuments that stretch back to beyond the dawn of history (P 303).

For anyone interested in ancient Egypt, a fine book.

12 of 15 people found the following review helpful.
The Tomb in Ancient Egypt
By Gilbert F. Miller
The Tomb in Ancient Egypt is a long awaited companion volume to the authors earlier book Thw Mummy in Ancient Egypt. The authors Salima Ikram and Aidan Dodson both well known and respected scholars have put into one book all the information, background and history of the tombs of Ancient Egypt that one could wish to know. The book will serve the professional and interested lay persond equally well.The book is the product of through research yet is writen in a style that is both informative and well organized , so that even a beginner will walk away with a full understanding of the topic.

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